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In addition to accessible seating, we offer American Sign Language (ASL) interpretation and Audio Description services free with paid admission on select performance dates. Broadway shows also have free Open Captioning service on a select date per show. Join us at the Friday, November 10 performance for Masquerade Night! There is a famous masquerade scene in the opera, so come with your own mask or design one in the lobby before the performance begins to truly be immersed in the action.
Parking & Directions
Appointed in 2015 as Opera Colorado’s first-ever music director, Ari Pelto’s “breathtaking wizardry in the pit” (The Denver Post) has been widely celebrated, with Pelto in demand at opera houses and concert halls throughout the United States. At the age of 24, Pelto was appointed Assistant Conductor at the Spoleto Festival and he has since gone on to conduct worldwide. International engagements include performances with Bochumer Philharmoniker and opera productions at New National Theatre of Tokyo and the Teatro Nacional Sucre in Quito, Ecuador.
Arts Complex Parking Garage
In 1921, a company of Denver musicians performed Flotow's Martha in May; of special historical significance was the fact that the two performances were broadcast by radio station 9ZAF, the first time ever that a full-length opera was broadcast. Recent projects include John Corigliano’s The Ghost of Versailles in a season that included the “Beaumarchais Trilogy,” Il Barbiere di Siviglia and Figaro for Chautauqua Institute. Alan also works as a production designer in film and television and is currently designing the television series New Amsterdam for NBC/Universal. Alan is a member of both the Academy of Motion Picture Arts and Sciences and the Academy of Television Arts and Sciences. The eye is drawn from the central entrances to the sides and the majestic sweep of the grand staircase. For practical reasons, this helps direct patrons to circulation points and services such as the main lobby bars and the restrooms.
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The Ellie Caulkins Opera House Box Office is open two hours prior to each performance. Our four resident companies manage their individual ticket sales and are the only authorized ticket providers for their events. There are no gift cards available for the entire Arts Complex, however, each resident company has a gift card option. In the 1980s other theaters were constructed next to the Auditorium, including Boettcher Concert Hall, Bonfils Theatre Complex and the Denver Center Theatre, to which the Seawell Ballroom was added in the 1990s (these now make up the Denver Performing Arts Complex). The Auditorium arena received another makeover in the early 1990s when the Temple Hoyne Buell Theater was built into it. This theater was a reincarnation of the Municipal Auditorium's old theater and basketball and wrestling arena.
Ellie Caulkins Opera House at the Quigg Newton Auditorium / Semple Brown Design
He has also appeared with the Detroit Symphony in Messiah and with Cincinnati Symphony for Schumann’s Das Paradies und die Peri Hailing from Macon, GA, Mr. Johnson is a graduate of the Patrick G. He holds a master’s degree and Professional Artist Certificate from the A.J. Fletcher Institute of the University of North Carolina School of the Arts and earned a Bachelor of Music from Townsend School of Music at Mercer University. For several years in the 1920s and 1930s, Music Week was an annual event in Denver. Various communities of the state presented musical programs and most of the performances were in the Auditorium.
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Local Organizations Announce 2024/25 Seasons
In 2004 he made his highly-praised debut with New York City Opera, conducting La Traviata, after which he became a regular, returning for productions of Madama Butterfly, La bohème, and Carmen. Recent successes include Eugene Onegin at Lyric Opera of Kansas City, Lucia di Lammermoor at Virginia Opera, and La Voix Humaine at Chicago Opera Theater. David Lefkowich is an accomplished stage director and fight choreographer who has enjoyed success with different companies including the Metropolitan Opera, Teatre alla Scala, San Francisco Opera, New York City Opera, Minnesota Opera, and Glimmerglass Opera. Recent directing engagements include a site-specific Acis and Galatea for Out of the Box Opera, an immersive Pagliacci at Boston Lyric Opera, a site-specific Tosca for Austin Opera, Tosca and La Cenerentola at Annapolis Opera, and Pagliacci at Opera Colorado. Also, Don Giovanni at L’Opéra de Montréal, Don Giovanni, Idomeneo, Le Nozze di Figaro and L’Histoire du Soldat at the Ravinia Music Festival with the Chicago Symphony Orchestra and Maestro James Conlon. David made his European debut directing Le Portrait de Manon at the Gran Teatre Liceu in Barcelona and followed with The Rake’s Progress at La Monnaie in Brussels.
This design allowed the builders to make the best use of the limited space available while striving to create a theatre focused on audience comfort and outstanding sightlines and acoustics. But while the team chose an elegant and classic style, the hall also features many distinctive innovations. Mr. Smith has been working professionally for the past forty years, both as a designer for the stage and as a consultant for numerous theatre projects.
The curves of the space also create a sense of drama in the lobby. The architecture is designed to be timeless – there are no trendy colors. The design team intended for the patron to be the person on show in the lobby. Currently, tickets to Colorado Symphony events are only available online or by phone. The Colorado Symphony Box Office is located at the Arts Complex in Boettcher Concert Hall. While the box office is temporarily closed due to COVID-19, phone lines are open Monday - Friday from 10am to 6pm.
In 1955 the Auditorium was closed and renovation was begun to make the grand old house a modern theatre. In September 1956, the project was completed and the seating capacity was decreased to 2,240. PLAN YOUR VISIT Area parking and transportation options, nearby restaurants, theatre and box office locations, accessibility services and more.
Late-comers will be seated at the earliest possible break in the performance; for some performances, this may not be until the first intermission. Opera Colorado does not offer refunds in the event of late arrival or missed performance. Meet this season’s group of talented opera performers, joining Opera Colorado for an eight-month residency. There are many ways to support the artists and staff of Opera Colorado. Download the AXS app for iOS or Android to review your tickets prior to arriving at the venue, and have your AXS Mobile ID displayed for validation and scanning at the entry doors.
One of the most difficult challenges facing the construction team was demolishing the interior of the building while leaving the historic exterior in tact. This is the most convenient option for accessing the Ellie Caulkins Opera House and is operated by the City and County of Denver. Entrances to the garage are located on both 13th Street and Arapahoe Street. The garage can accommodate 1700 vehicles and does fill up quickly on performance days.
Explore our entire calendar of events for the current and upcoming seasons. Check the Denver Performing Arts Complex calendar for a complete list of events at the Ellie Caulkins Opera House. The Denver Performing Arts Complex is owned and operated by the City and County of Denver.
He has worked with regional opera companies such as Florida Grand Opera, Virginia Opera, San Diego Opera, Ft. His work has been seen at many regional theatres including Oregon Shakespeare, Indiana Repertory, Pioneer Theatre Company, and North Shore Music Theatre. Mr. Smith has been spending the last three years consulting, renovating and upgrading a variety of theatres in the California Bay area. Engagements in recent seasons have included Nadir in Les Pêcheurs de Perles with North Carolina Opera; Duca in Rigoletto with Michigan Opera Theater; featured artist with the Salt Bay Chamber Festival, and concert performances of Beethoven’s Mass in C and Verdi’s Requiem. Bellemer made debuts with Teatro Reggio Torino as both the tenor soloist in Orff’s Carmina Burana and the Evangelist in the world premiere of Newton’s St. Matthew Passion. He was Lysander in Hawaii Opera’s production of Britten’s A Midsummer Night’s Dream; Peter Quint in Britten’s The Turn of the Screw in China (Beijing); and Steuermann in Der fliegende Holländer with Austin Opera.
Her work on operatic design includes Gianni Schicci, Proving Up, and La bohème with Opera Steamboat, and Otello (principal costumes) with Central City Opera. Her work has been seen in Colorado theatrical designs such as Cinderella with the Arvada Center, Amerikin with Curious Theatre Company, Rent with the University of Denver, Little Women with Theatreworks UCCS, The Rocky Horror Picture Show with Phamaly Theatre Company, and Fourteen Funerals with BETC. Madison has also designed for short films as well as being the resident stylist for the music and outreach group Electric Root. Iranian pianist and conductor, Sahar Nouri, returns to Opera Colorado for a sixth season, serving as the company’s chorus master, assistant conductor, and pianist coach.
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